It can also be used with keyboard input, in which case it's a simple keyboard The program: a correct answer means hitting that same note clearly on the first attempt. This is a good one for singers using a microphone as input to Repeat Pitches is a very basic activity that focuses on simply repeating a pitch that is played by the computer. This time there's a balloon drop to provide time pressure, which adds fun. Single Pitches presents one pitch at a time in the clef of your choice (any clef at all) and asks you toįind that pitch on the screen piano or fretboard orĮxternal instrument or again, to sing it. The pitches are displayed on a staff and you must find them on the screen piano or fretboard or an external instrument. In level 1 you practice melodic pitches found in the spaces of the treble G clef in level 2 the pitches found on Starting Pitch Notation, in Course 1, presents one pitch at a time in the treble clef, together with explanations. ![]() Dictation activities are described on the Here we will list activities that deal primarily with reading. Scales and Key Signatures, Rhythm and Meter Signatures, Full Sightreading, Intervals, Single Chords, andĬhord Progression, Melodic Development, Voice Leading, and These can be divided into activities dealing with Reading Pitch Notation, Practica Musica contains a large number ofĪctivities whose focus is primarily on theory. Some of the Activities in Practica Musica blend both theory and ear training and some are specifically one or the other. You can't progress very far even in Theory without ![]() In order to tell the scale degree of a melodic note (Ear Training) you must know the scales (Theory). In order to identify an interval by ear, for example (Ear Training) you must first know what the intervalsĪre (Theory). It's not really possible to isolate the one task completely from the other. These two are sometimes handled by entirely separate programs, but we think that ![]() Practica Musica is a complete tutor for both Ear Training and Music Theory.
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